The Giver by Lois Lowry
Children’s Novel—Science Fiction
Grades 6-9
Rating: 5 Stars
Summary: When Jonas is assigned to be the next receiver of memories in his community, he discovers a hidden world of feelings, colors, and experiences that everyone in society is sheltered from. After seeing the injustice in this way of life, Jonas and The Giver devise a plan for Jonas to escape and release the memories to the community.
I have never been a huge fan of the science fiction genre. When I think science fiction, I often see images of outer space, robots, and futuristic technology. The Giver introduced an entirely new perspective to me in regards to this genre which I had previously overlooked. In many ways, Jonas is a person just like me…he has a family, he goes to school, he plays with friends. The twist in this novel is that Jonas exists in a community that has placed such tight restrictions on its members that Jonas and everyone he knows has been prohibited to lie, sense color, and feel. In many respects, they are forbidden to live in the way that we as humans are meant to live.
One of the most intriguing elements of The Giver is Lowry’s construction of place. Many authors create an enhanced version of the world as we know it, often allowing us as the reader to experience something that is thrilling and magical when we dive into their stories. However, Lowry’s construction of place is a society which is deprived of the essential elements that make the real world what it is. This is what elicited an eerie feeling of emptiness for me as I made my way through the pages of The Giver. I cannot imagine living in a world that does not know the happiness of Christmas and family, or the delight of sledding down a snow-covered hill. Even pain is something that helps us make meaning out of life, but this is a feeling that Jonas experiences for the first time at age twelve and something that is foreign to the rest of the community. The inability to feel was a strange thing to witness, and this conception of a place with restrictions on such things is what ultimately set the mood for me in this story (Peterson & Eeds, p. 45).
Time is another element which Lowry uses in a rather unconventional way. There is the normal passage of time through the months, but if you think about, the grander concept of time is very skewed for the members of the community. Jonas is able to experience memories of the past, almost as flashbacks, but the rest of society remains ignorant to their very own history. The idea that his parents had parents at one time is even a surprising revelation to Jonas, which shows how the idea of a past is just not relevant to how these people live. While time for them is passing, to the reader they almost seem to be standing still, living in the moment, because the minute someone is old enough to leave, they are gone and forgotten about. This idea is actually quite difficult to wrap my mind around, but maybe this is what Peterson and Eeds are referring to when they talk about time being “ordered psychologically” so that it seems to have stopped (p. 53). Overall, this is another aspect of the novel that contributes to the mood and feeling of uneasiness, which makes it an effective science fiction read.
The ending was, for me, the climactic peak of tension that had been slowly building since Jonas and the Giver started meeting. As Jonas becomes more aware of the restrictions and injustice that the community imposes on its members, I felt that this caused a climbing tension as he becomes increasingly enraged with the lies that he had been told all his life. With his decision to escape, I felt a sense of victory over the inner conflict that Jonas experiences between the life he has known and the new experiences that the Giver has shown him. Jonas and Gabe battle some rough conditions in their escape, and even though the ending can be interpreted as the death of Jonas, I really don’t think he dies. I think that because he has arrived at the spot of his first pleasant memory that he received from the Giver, this must be the start of a new life as he sleds down the hill towards the house filled with music and light.
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